THE FACT ABOUT FUNDACIó JOAN MIRó THAT NO ONE IS SUGGESTING

Miró's oft-quoted fascination during the assassination of painting is derived from the dislike of bourgeois artwork, which he believed was applied as a means to market propaganda and cultural identity among the wealthy. Particularly, Miró responded to Cubism in this manner, which by the time of his quotation experienced develop into an establishe